Emily Parsons-Lord makes ephemeral installations and performances that are informed by research and critical dialogue with climate sciences, natural history, and politics. Her work attempts to reconcile lofty vast infinities of our place in time and space, and the  slippages to the political realities of being a human today in discourses of climate change. Employing tragi-humour, scale, and performance, Emily interrogates the materiality of invisibility, magic, and stories we tell about reality.

Based in Sydney, Emily’s recent work includes recreating the air from past eras in Earth’s evolution, recreating starlight in coloured smoke, multichannel video, and experimenting with pheromones, gallium, explosions, and chemistry. She has exhibited both nationally and internationally and participated in the The NSW Visual Arts Fellowship, 2017, Bristol Biennial – In Other Worlds, 2016, Primavera 2016, Australia’s flagship emerging art exhibition, Firstdraft Sydney, and Vitalstatistix, Adelaide.

Parsons-Lord completed a BFA (1st class hons) at College of Fine arts, a Masters of Peace and Conflict Studies at University of Sydney, and research at Creative Time in New York, and SymbioticA in Perth, WA.

Parsons-Lord is currently working with different kinds of air, silica aerogels, gallium, distress pheromones, explosions, and the aesthetics of climate change. 

Email: e.parsonslord@gmail.com

Selected Exhibitions

Upcoming Exhibitions

  2019 Cementa 2019, Kandos NSW

  2019 - 2020 (development) We Drive So Fast it Feels Like Falling, CultureLAB, Arts House, Melbourne

2020 Rubbernecking, Fusebox Festival, Texas


Selected Solo Exhibitions

2017-2018           There is nothing accidental or surprising about this, Vitalstatistix for Climate Century, Port Adelaide

2018                    Then Let Us Run (the sky is falling), Cement Fondue, Sydney

2017                    Things Fall Apart, The Future Leaks Out curated by Tulleah Pearce, Liveworks Festival, Carriageworks, Sydney

2017                    Trod by Beasts Alone, Wellington St Projects, Sydney

2016                    The Great Dying, Bristol Biennial: In Other Worlds, Bristol, UK

2015                    Our Fetid Rank (Margaret Thatcher's bottom lip and Bill Clinton's tongue),   Firstdraft, Sydney


Selected Group Shows & Festivals

2019 A raging event of continual noise (the Sun), List í Ljósi Light Festival,  Seyðisfjörður, Iceland

2019 When you cut into the present, Anthropocene Noir, CAT, Hobart, Tasmania

2019    Our Fetid Rank, A Broken Link, Filmwinter: Festival of Expanded Media, Stuttgart, Germany

2018                     A Troublesome Itching, John Fries Award, finalist, UNSW Galleries

2018                     Rubbernecking (the last gasps from underfoot), Sydney Contemporary, performance, curated by Jeff Kahn and Tulleah Pearce

2018 . If you cut into the present the future leaks out, Galerie Pompom, in Possible Dream Theory 2, curated by George Adams, Sydney

2018                     A raging event of continual sound (the Sun), Lee Kun-Yong: Equal Area, 4a, Sydney

2018                    The Confounding Leaving, Tactile, Penrith Regional Gallery, Sydney

2017                    NSW Visual Arts Fellowship (Emerging), Artspace, Sydney

2017                    Our Fetid Rank (Margaret Thatcher's bottom lip and Bill Clinton's tongue) A BROKEN LINK curated by Sam Ferris, Golden Age                                     Cinema, Sydney & Central St Martins, London

2016                   Our eyes were of no use to us  &  The Confounding Leaving, Primavera, Museum of Contemporary Art, Sydney

2016                    You Changed My World, Trev, MCA GeNext, Museum of Contemporary Art, Sydney

2016                    Under pressure gas becomes light and heat, Fisher's Ghost Award, finalist, Campbelltown Arts Centre

2016                   Magic Yellow Orchestra, MCA ARTBAR CURATOR (Co-curating with Pia Van Gelder and Danae Valenza), Museum of Contemporary Art, Sydney 

2016                   Our Fetid Rank (Margaret Thatcher's bottom lip and Bill Clinton's tongue), Sydney Film Festival HUB, Lower Town Hall, Sydney

2016                    Picturing the Invisible, TedxYouth@Sydney, Sydney Opera House, Sydney 

2016                     One of your 8,935,200 a year, Ever Fresh, STILLS gallery, Sydney

2015                      ‘The Airrarium’, Underbelly Arts 2015, Cockatoo Island,  Sydney

2015                       ‘You will always be wanted by me’, 2015 Proximity Festival, AGWA,  Perth

2015                        'Advertising Marketing Publicity', This Is Not Art festival, Newcastle

2014                       ‘Different Kinds of Air, A Plant’s Diary’, 2014 Proximity Festival, Fremantle

2014                        ‘Stage 1’, Breath of Venus, Breath of Mars, ArtLaab, Perth, WA

2009                      ‘EndangeredExtra Cheese, Saatchi and Saatchi Gallery                 



2019 - ongoing {the empty set} collaboration with Sara Morawetz

2016                          Magician Therapy, as part of Achingly Sublime 



Artbank, Australia

Private Collection, Sydney


Grants, Awards, Residencies




















John Fries Award - Finalist

FBI SMAC Awards - Best Artist - Finalist

NSW Visual Arts Fellowship (emerging) - Finalist

Fishers' Ghost - Finalist


NSW Artists’ Grant, National Association for the Visual Arts for Cementa 2019

Parramatta City Council Development Grant, 2018

NSW Artists’ Grant, National Association for the Visual Arts for PRIMAVERA 2016

Development Grant for Individuals, Australia Councilfor the Arts for Bristol Biennial

Development Grant for Individuals, Australia Councilfor the Arts for Underbelly 2015

NSW Artists’ Grant, National Association for the Visual Arts for Underbelly 2015


Parramatta Artist Studio Resident, Parramatta

Lunga Artist in Residence, Seyðisfjörður, Iceland

Parramatta Artist Studio Resident, Parramatta

Imaging the Land Research Initiative, Fowlers Gap, NSW

Christmas Island Detention Centre, Christmas Island, ALIV

Selected Education

2018 - 2021 PhD Candidate, UNSW A&D, supervision Lindsay Kelley

   2010 - 2011 Masters of Peace and Conflict Studies, University of Sydney, Graduation with Special Merit

   2009 Honours in Photomedia, College of Fine Arts, UNSW, First Class

   2003 - 2006 Bachelor of Digital Media, Majoring in Photography, College of Fine Arts, UNSW, Dean’s Award for Academic Excellence